Monday, April 27, 2015

The Seekers

Please click on each of the web-links below with your speakers on :-

The Seekers The Carnival Is Over (1967 In Colour Stereo)


The Seekers - A World of our Own (1965 - Stereo, enhanced video)



The Seekers-Waltzing Matilda 1994
https://youtu.be/ESebV4H5JuM


The Seekers

From Wikipedia, the free encyclopedia
This article is about the Australian music group. For other uses, see Seekers (disambiguation).
The Seekers
The Seekers.png
The Seekers in 1965
Background information
OriginMelbourneVictoriaAustralia.
GenresEasy-listeningpopfolk
Years active1962–1968, 1975–1988, 1992–present
LabelsW&GWorldEMIColumbia,Capitol
Websitetheseekers50th.com
MembersAthol Guy
Keith Potger
Bruce Woodley
Judith Durham
Past membersKen Ray
Louisa Wisseling
Buddy England
Peter Robinson
Julie Anthony
Karen Knowles
The Seekers are an Australian folk-influenced pop quartet, originally formed in Melbourne in 1962. They were the first Australian pop music group to achieve major chart and sales success in the United Kingdom and the United States. They were popular during the 1960s with their best-known configuration as: Judith Durham on vocals, piano and tambourineAthol Guy on double bass and vocals; Keith Potger on twelve-string guitarbanjo and vocals; and Bruce Woodley on guitar, mandolin, banjo and vocals.
The group had Top 10 hits in the 1960s with "I'll Never Find Another You", "A World of Our Own", "Morningtown Ride", "Someday, One Day" (written by Paul Simon), "Georgy Girl" (the title song of the film of the same name), and "The Carnival is Over" by Tom Springfield, the last being an adaptation of the Russian folk song "Stenka Razin". The Seekers have sung it at various closing ceremonies in Australia, including World Expo 88 and the Paralympics. It is still one of the top 50 best-selling singles in the UK. Australian music historian Ian McFarlane described their style as "concentrated on a bright, uptempo sound, although they were too pop to be considered strictly folk and too folk to be rock."
In 1968, they were named as joint "Australians of the Year" – the only group thus honoured. In July of that year, Durham left to pursue a solo career and the group disbanded. The band has reformed periodically, and in 1995 they were inducted into the ARIA Hall of Fame. "I'll Never Find Another You" was added to the National Film and Sound Archive of Australia's Sounds of Australia registry in 2011. Woodley's and Dobe Newton's song "I Am Australian", which was recorded by the Seekers, and by Durham with Russell Hitchcock and Mandawuy Yunupingu, has become an unofficial Australian anthem. With "I'll Never Find Another You" and "Georgy Girl", the band also achieved success in the United States, but not nearly at the same level as in the rest of the world. As of 2004, the Seekers have sold over fifty million records worldwide.
The Seekers were individually honoured, in the Queen's Birthday Honours, as Officers of the Order of Australia recipients, in June, 2014.[1]

Age and memory

Statins May Affect Memory

HARVESTING BANANAS IN COSTA RICA

Sunday, April 26, 2015

Kumbaya -

What does 'kumbaya' in the song "Kumbaya, my Lord" mean?


"Kumbaya, my Lord" was first recorded by an out-of-work English professor, Robert Winslow Gordon, in 1927. Gordon went on a search for black spirituals and recorded a song "Come by Here, My Lord", sung by H. Wylie. The song was sung in Gullah on the islands of South Carolina between Charleston and Beaufort. Gullah is the creole language featured in the Uncle Remus series of Joel Chandler Harris and the Walt Disney production of Song of the South. "Come by here, my Lord" in Gullah is "Kum by (h)yuh, my lawd" (see our Gullah dictionary).
American missionaries took the song to Angola after its publication in the 1930s, where its origins were forgotten. In the late 1950s the song was rediscovered in Angola and returned to North American where it swept the campfire circuit as a beautiful and mysterious religious lyric. That is why the song is associated with Angola in many current printed versions.

In the US, however, the song was associated with Boy Scouts, Girl Scouts, and other campers sitting around a campfire in perfect harmony. The picture of a warm, cozy community without conflict associated itself with the song and especially that foreign-sounding word in its title, kumbaya. Since the word had no actual meaning in English, cynics eventually converted this harmless connotation into the actual English definition of the word. That definition now seems to be "naive, unrealistic optimism" to many of us (not me).

Please click on each of the web-links below with your speakers on :-

Soweto Gospel Choir - Khumbaya (OFFICIAL VIDEO)

The Seekers - Kumbaya

https://youtu.be/bYJMtn6IJeE

https://youtu.be/_6oN7Oz9o8g?list=PLXFBsO1-DialXkeFSII4TQTfTUuLapIeq


Lyrics


Kumbayah my Lord, kumbayah
Kumbayah my Lord, kumbayah
Kumbayah my Lord, kumbayah
Oh Lord, kumbayah
Someone's sleeping, my Lord, kumbaya
Someone's sleeping, my Lord, kumbaya
Someone's sleeping, my Lord, kumbaya
Oh Lord, kumbaya

Someone's dreaming, my Lord, kumbaya
Someone's dreaming, my Lord, kumbaya
Someone's dreaming, my Lord, kumbaya
Oh Lord, kumbayah
Someone's crying, my Lord, kumbaya
Someone's crying, my Lord, kumbaya
Someone's crying, my Lord, kumbaya
Oh Lord, kumbaya
Someone's laughing, my Lord, kumbaya
Someone's laughing, my Lord, kumbaya
Someone's laughing, my Lord, kumbaya
Oh Lord, kumbaya
Someone's singing, my Lord, kumbaya
Someone's singing, my Lord, kumbaya
Someone's singing, my Lord, kumbaya
Oh Lord, kumbaya
Come by here, my Lord, kumbaya
Come by here, my Lord, kumbaya
Come by here, my Lord, kumbaya
Oh Lord, kumbaya

Kumbayah my Lord, kumbayah
Kumbayah my Lord, kumbayah
Kumbayah my Lord, kumbayah
Oh Lord, kumbayah

An Inspirational Short Film


Chellah Padmanathan

11:27 PM (6 hours ago)


Begin forwarded message:

Subject: Fwd: aInspirational Short Film

Although we don't realize there are beautiful people among us who are  close to God.
Stephen Brenkley pays tribute to a great player and person in Sri Lanka's humble hero Kumar Sangakkara, who, as he enjoys a last hurrah, is arguably the best bat since Donald Bradman


MONDAY 16 MARCH 2015
567
A A A
Towards the end of his great speech at Lord’s four years ago, Kumar Sangakkara offered an inkling of what drives him. By this time the audience was already rapt to the point of eating from his hand and soon, to a man and woman, it would be on its feet cheering.
“In our cricket we display a unique spirit, a spirit enriched by lessons learnt from a history spanning over two-and-a-half millennia,” Sangakkara said. “In our cricket you see the character of our people, our history, culture and tradition, our laughter, our joy, our tears and regrets.
“It is rich in emotion and talent. My responsibility as a Sri Lankan cricketer is to further enrich this beautiful sport, to add to it and enhance it and to leave a richer legacy for other cricketers to follow.”
At this World Cup, we are witnessing the final days of Sangakarra, the international cricketer. He has played with a fearless determination and freedom, as if impelled by those words he delivered in MCC’s annual Spirit of Cricket lecture in 2011.
This is his last hurrah (and what a hurrah) as a one-day player and later this year he will withdraw from Test match cricket. He will do so as the second heaviest international run scorer. Only Sachin Tendulkar’s combined total of 34,357 is greater than his 27,774.
Sangakkara has done this almost by stealth. Everyone has always known that he was a considerable run-getter because the scoreboards said so; few cottoned on quite how prodigious, even as it has been going on. Almost always prolific in the upper middle order, his batting has become routinely resplendent as he gone through his thirties. He is in that happy, indefinable state where the bowlers seem to yield to his will and can barely stop themselves feeding his strengths.
None did so more obligingly than England’s, who allowed him to cut and pull with abandon, which then opened up the way for his fierce driving. Sangakkara has become the first man to score hundreds in four consecutive one-day innings (and in the World Cup to boot), a sequence of three having been achieved six times before.
It will have to end some time but most supposedly neutral observers here are willing to drop that independence for a day or so to see Sanga and Sri Lanka reach the final. They play their quarter-final against South Africa on Wednesday. He will leave the game as one of its most eloquent contributors, in every sense.
Kumar Sangakkara has proven that old skills still have their place amid all the big shots 
Sangakkara first entered the English psyche in early 2001 during an ill-tempered Test series in which the young shaver, as he then was, played a full part. He regrets some (not all) of what he got up to then, but it set him apart immediately and retrospectively confirms that he will not see the Sri Lankan cricketer brow-beaten or cowed.
In the first Test of that series at Galle, Sangakkara was fined for excessive appealing. In the second at Kandy, his hometown, there were unwelcome scenes which involved Sangakkara and, of all people, Michael Atherton, on his last tour and the most temperate of big-time cricketers.
Sangakkara was young, anxious to make his mark as a cricketer and, as importantly, as a Sri Lankan cricketer and said some things both while keeping wicket and batting which should have been left unsaid. Atherton was probably surprised to be so ruffled. Both were fined.
Even then, Sangakkara was utterly charming, engaging with the English media lucidly and amiably. Under the stands at Kandy, before the match, it was less an interview, as this reporter recalls, than an audience.
What a cricketing life he has had, from being at Trinity College, Kandy, it was recounted by a teacher, “a rather naughty child,” though a high-achieving one in all aspects. He and his team-mates flew home from a tour of New Zealand in late 2004 after the tsunami struck their country.
Sangakkara, along with his friends and colleagues Muttiah Murilatharan and Mahela Jayawardene, toured the island visiting the distressed coastal villages and dispensing succour and food parcels.
In March 2009, the Sri Lanka team bus was attacked by gunmen as it went to the ground in Lahore for the third day of the second Test against Pakistan. Seven people died and several of the team were injured, including Sangakkara who had shrapnel embedded in his shoulder. The Test was abandoned, international cricket has not been played in Pakistan since.
Sangakkara has scored 38 Test hundreds, at least one against all Test-playing nations, and has a batting average of 58.67. In the 82 of the 130 Tests in which he has not kept wicket that rises to 69.35. Only Don Bradman, who never kept wicket in his 52 Tests, has a higher average in those terms. Sangakkara and Jayawardene share the record for the highest partnership in Tests, of 624, for the third wicket in Colombo in 2006.
Kumar Sangakkara of Sri Lanka 
As a one-day player Sangakkara has moved with the times. His overall scoring rate is 79.04 but that has moved up to 93.14 in the last two years. Now he is supplying the acceleration as well as the ballast.
It was always evident how proud he was to be Sri Lankan and to be a member of its national team. He is married to his childhood sweetheart and they have five-year-old  twins, a son and daughter. Never a press conference goes by when he fails to mention his great friend, Jayawardene, or pay tribute to the work of the kids in the team.
But that pride, that ingrained loyalty and faith, that honour, could be seen as the most important element of his life that night at Lord’s. He told of the history of the country and of its cricket. He told how everything changed the day Muralitharan was called for throwing in Australia in 1995 (“Murali was no longer alone. His pain, embarrassment and anger were shared by all.”)
He told of the significance of Arjuna Ranatunga in making the team play like Sri Lankans and not like colonial underlings. He told of returning to the country after the terrorist incident in Pakistan and being stopped at a checkpoint a week later. The soldier asked him how he was and Sangakkara said he was fine and that he, the soldier, put his life on the line every day.
“That soldier looked me in the eye,” Sangakkara said, “and replied: ‘It is OK if I die because it is my job and I am ready for it. But you are a hero and if you were to die it would be a great loss for our country.’
“I was taken aback. How can this man value his life less than mine? His sincerity was overwhelming. I felt humbled. This is the passion that cricket and cricketers evoke in Sri Lankans. This is the love that I strive every day of my career to be worthy of.”
It was humbling to hear, not least because it was a raison d’être for international sport, one that, for one reason or another, could not be delivered by half the England team. Of his 20 million compatriots, Sangakkara said: “They are my foundation, they are my family.
“I will play my cricket for them. Their spirit is the true spirit of cricket. With me are all my people. I am Tamil, Sinhalese, Muslim and Burgher. I am a Buddhist, a Hindu, a follower of Islam and Christianity. I am today, and always, proudly Sri Lankan.” 

It is a long shot and New Zealand remain the emotional favourites to win this World Cup – but a Sri Lanka victory would be fine. Just fine.