Saturday, April 25, 2015

Yellow Bird - Kingston Trio


Please click on each of the web-links below with your speakers on :-



Lyrics


Yellow bird, 
Up high in banana tree, 
Yellow bird, 
You sit all alone like me

Did your lady frien', 
Leave de nest again?
Dat is very sad, 
Make me feel so bad, 
You can fly away, 
In the sky away, 
You're more lucky dan me.

Yellow bird, 
Up high in banana tree, 
Yellow bird, 
You sit all alone like me

I also have a pretty gal, 
She not with me today, 
Dey all de same
De pretty gal, 
Make dem de nest, 
Den dey fly away.

Yellow bird, 
Up high in banana tree, 
Yellow bird, 
You sit all alone like me

Wish dat I were a yellow bird, 
I fly away wid you, 
But I am not a yellow bird, 
So here I sit, 
Nothin' else to do.

Yellow bird, 
Up high in banana tree, 
Yellow bird, 
You sit all alone like me

Let her fly away, 
On de sky away, 
Picker coming soon, 
Pick from night to noon, 
Black and yellow you, 
Like banana too, 
He might pick you someday.

Yellow bird, 
Up high in banana tree, 
Yellow bird, 
You sit all alone like me

Hang Down Your Head Tom Dooley


Please click on each of the web-links below with speakers on :-

"Tom Dooley" is an old North Carolina folk song based on the 1866 murder of a woman named Laura Foster in Wilkes County, North Carolina. It is best known today because of a hit version recorded in 1958 by The Kingston Trio. This version was a multi-format hit, reaching #1 in Billboard, the Billboard R&B listing, and appearing in the Cashbox country music top 20. It fits within the wider genre of Appalachian "sweetheart murder ballads".

The song was selected as one of the American Songs of the Century by the Recording Industry Association of America (RIAA), the National Endowment for the Arts, and Scholastic Inc. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.[1]

In the documentary Appalachian Journey (1991), folklorist Alan Lomax describes Frank Proffitt as the "original source" for the song. Although there are several earlier known recordings, notably the one by Grayson and Whitter made in 1929, approximately 10 years before Proffitt cut his own recording, the Kingston Trio took their version from Frank Warner's singing. Warner had learned the song from Proffitt, who learned it from his Aunt Nancy Prather, whose parents had known both Laura Foster and Tom Dula

From Wikipedia, the free encyclopedia
Murder of Laura Foster
Before the war, Ann Foster, a local beauty, married an older man, James Melton, who was a farmer, cobbler, and neighbor of both Ann and Tom. Melton also served in the Civil War, fighting in the battle of Gettysburg.[6] Both men were taken prisoner and at the end of the war returned home. Shortly after arriving home, Dula resumed his relationship with Ann. Given his reputation as a libertine,[2][9] it did not take Dula long to also begin an intimate relationship with Ann's cousin, Laura Foster. Folklore suggest Laura became pregnant shortly thereafter, and she and Dula decided to elope.[6] On the morning she was to meet Dula, about May 25, 1866,[9] Laura quietly left her home where she lived with her father, Wilson Foster, and took off on his horse, Belle. Laura was never seen alive again.[1]

While it is not certain what happened that day, many of the stories that have grown out of the folklore implicate Ann Melton. Some believe Ann murdered Laura Foster because she was still in love with Dula and was jealous of Laura because Tula was marrying her. Others believe that Dula knew or suspected that Ann had murdered Laura, but because he still loved Ann he refused to implicate her after he was arrested and took the blame for the murder. Ultimately, it was Ann's word that led to the discovery of Laura's body, leading to further speculation as to Ann's guilt. Ann's cousin, Pauline Foster, testified that Ann had led her to the site of the grave one night to check that it was still well hidden.[6]

Witnesses testified in court that Dula made the incriminating statement he was going to "do in" whoever gave him "the pock" (syphilis). Testimony indicated Dula believed Laura had given him syphilis, which he had unknowingly passed on to Ann. The local doctor testified that he had treated both Tom and Ann for syphilis with Blue Mass, as he did Pauline Foster, who was in fact the first to be treated. Many believe that Dula may have caught the disease from Pauline Foster and passed it on to Ann and Laura.[citation needed]

Laura's decomposed body was found with her legs drawn up in order to fit in a shallow grave. She had been stabbed once in the chest. The gruesome murder, combined with the low murder rate, and numerous rumors that circulated in the small back-woods town, captured the public's attention and led to the enduring notoriety of the crime.[1]

Dula's role in the murder is unclear.[9] He fled the area before Laura's body was found after locals accused him of murdering Laura. Under the assumed name of Tom Hall, he worked for about a week for Colonel James Grayson, across the state line in Trade, Tennessee. Grayson would enter folklore as a romantic rival of Dula's, but this was not true. It was simply an incorrect inference drawn from the lyrics of the song, and became more widespread as the facts of the case were largely forgotten.[9] Grayson did, however, help the Wilkes County posse bring Dula in, once his identity was discovered.[1]

Trial[edit]

Following Dula's arrest, former North Carolina Governor Zebulon Vance represented him pro bono, and always maintained Dula's innocence. He succeeded in having the trial moved from Wilkesboro to Statesville, as it was widely believed that Dula would not receive a fair trial in Wilkes County. Dula was convicted and, although given a new trial on appeal, he was convicted again. His supposed accomplice, Jack Keaton, was set free and, on Dula's word, Ann Melton was acquitted. As he stood on the gallows facing death, he is reported to have said, “Gentlemen, do you see this hand? I didn’t harm a hair on the girl’s head”.[9] On 1 May 1868 he was executed nearly two years after the murder of Laura Foster.[6] His younger sister and her husband retrieved his body for burial.[1]

Friday, April 24, 2015

Sloop John B

Please click on each of the web-links below with your speakers on :-

 From Wikipedia, the free encyclopedia

"Sloop John B" is a song by the Beach Boys and the seventh track on their 1966 album Pet Sounds. It was originally a traditional West Indies folk song, "The John B. Sails", taken from Carl Sandburg's 1927 collection of folk songs, The American Songbag. Brian Wilson sang, produced, and arranged the Beach Boys' recording. Released as an A-sided single two months before Pet Sounds, it peaked at number 3 in the US and number 2 in the UK. In several other countries, the single was a number one hit.

The group's folk rock[1] adaptation of "Sloop John B" was ranked #271 on Rolling Stone's list of The 500 Greatest Songs of All Time.[2]

Sloop John B Lyrics

We come on the Sloop John B
My grandfather and me
Around Nassau town we did roam
Drinking all night
Got into a fight
Well I feel so broke up
I want to go home

So hoist up the John B's sail
See how the main sail sets
Call for the Captain ashore
Let me go home, let me go home
I want to go home, yeah yeah
Well I feel so broke up
I want to go home

The first mate he got drunk
And broke in the Cap'n's trunk
The constable had to come and take him away
Sheriff John Stone
Why don't you leave me alone, yeah yeah
Well I feel so broke up, I want to go home

So hoist up the John B's sail
See how the main sail sets
Call for the Captain ashore
Let me go home, let me go home
I want to go home, let me go home
Why don't you let me go home

The poor cook he caught the fits
And threw away all my grits
And then he took and he ate up all of my corn
Let me go home
Why don't they let me go home
This is the worst trip I've ever been on

So hoist up the John B's sail
See how the main sail sets
Call for the Captain ashore
Let me go home, let me go home
I want to go home, let me go home
Why don't you let me go home.

Songwriters: Edwards, Nole / Wilson, Don / Bogle, Bob / Taylor, Melvin

Sloop John B lyrics © Sony/ATV Music Publishing LLC

PS
A very popular group song during our medical 
 student days 1960-65

Coffee and breast cancer recurrence.

Medical News Today: Coffee 'could halve breast cancer recurrence' in tamoxifen-treated patients http://www.medicalnewstoday.com/articles/292879.php

Chilli peppers hold promise of preventing liver damage and progression

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Type 2 diabetes: Understanding regulation of sugar levels for better treatment.

Thursday, April 23, 2015

Für Elise

Please click on each of the web-links below with your speakers on:- 

Beethoven - Für Elise - Piano & Orchestra
https://youtu.be/e4d0LOuP4Uw

Piano version
The Story Behind Für Elise

Für Elise (which is German for For Elise) was composed by Ludwig van Beethoven around 1810 when he was 40 years old and firmly established as one of the greatest composers in history. It is named "Für Elise" because a Beethoven researcher named Ludwig Nohl claimed to have seen this dedication on the original autograph which has been missing since, and this has been the cause of some speculation. The piece was not published until 1865 well after Beethoven's death in 1827, and no distinct records, letters, or accounts from people at the time make mention of an "Elise" in the composer's life. Beethoven was in love with a woman named Therese Malfatti around the time he created the work, and one of the theories that has circulated for a long time has been that Ludwig Nohl misread the composer's poor handwriting which then would have said "Für Therese". That's quite a stretch in my own humble opinion. It is also unreasonable to expect that all aquaintances from 200 years ago can be accounted for, especially when the subject is a man who increasingly withdrew himself from the world because of his hearing loss.
In 2009 a Beethoven researcher named Klaus Martin Kopitz made the claim that "Elise" may have been the nickname of opera singer Elisabeth Röckel whom the composer met a few years prior to writing the piece. The two enjoyed a close friendship according to stories told by Röckel herself, but she would later marry Beethoven's on-and-off friend and rival Johann Nepomuk Hummel. According to Kopitz, the church records for the christening of Röckel's first child in 1814 give her own name as Maria Eva Elise. He found the records in St. Stephen's Cathedral in Vienna, suggesting that Röckel may indeed have been known as "Elise" at least in Viennese circles.
After researching this piece I also came across other theories to explain the dedication, although I am personally quite intrigued by the recent discoveries of Kopitz. One less well documented theory claims that the name "Elise" was used as a general term for "sweetheart", but I have been unable to substantiate this claim despite seeing it a few places. In my own opinion it would not fit well with Beethoven's composing and dedication history. However, whether Elise was misread, a known or unknown love or a woman who simply inspired Beethoven to write this piece, it remains one of many unsolved mysteries left to ponder.
It is interesting to note that Ludwig van Beethoven re-visited the piece in 1822, but it remained as sketches that were never released in his lifetime. The intentions behind picking up the work more than decade later are not known. While the revised version appears somewhat incomplete there are significant changes to the accompaniment as well as new material added.

Free Für Elise MIDI File Download

» Learn More and Dow

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Wednesday, April 22, 2015

Jim Reeves.

James Travis "Jim" Reeves (August 20, 1923 – July 31, 1964) was an American country and popular music singer-songwriter. With records charting from the 1950s to the 1980s, he became well known as a practitioner of the Nashville sound (a mixture of older country-style music with elements of popular music). Known as "Gentleman Jim", his songs continued to chart for years after his death. Reeves died in the crash of a private airplane. He is a member of both the Country Music and Texas Country Music Halls of Fame.



Please click on the following web-sites  with your speakers on :-

Jim Reeves 25 Greatest Hits
https://youtu.be/RpK6vFc86r0

Jim Reeves Sings The Greatest Gospel and Christian Music Ever
https://youtu.be/8Sqr_JgfvbI

Christmas Song (12 songs) - Jim Reeves (1923 1964)
https://youtu.be/A7_yyrr8ojQ



Sri Lankan ‘Balangoda man' dated to 37,000 years ago.

 - National Paeleontology | Examiner.com


Inbox
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Bernard Desilva bdesbdes@icloud.com

05:43 (35 minutes ago)
to desilvabmPattyme

PS
Three sites in central Sri Lanka have drawn attention to Pre-historic cave dwellings. They are :-
1. Beli Lena near Deraniyagala.
2. Batadomba Lena near Kuruwita.
3. Fa Hsien Lena near Horana.
All the above have had radio-active dating results ranging around 30,000 years before the present era.
There are also urn burial sites at Pomparippu near Chilaw and various places in the North of Sri Lanka.
There are also human remains dated around 100,000 years ago at Sithulpawwa in the South of Sri Lanka.
Philip G V

Tuesday, April 21, 2015

THE BEAUTIFUL BLUE DANUBE

The Blue Danube

From Wikipedia, the free encyclopedia
For other uses, see Blue Danube (disambiguation).
Cover
The Blue Danube is the common English title of An der schönen blauen Donau, Op. 314 (German for "By the Beautiful Blue Danube"), a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success however and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda—I wish that had been a success!"
After the original music was written, the words were added by the Choral Association's poet, Joseph Weyl.[1] Strauss later added more music, and Weyl needed to change some of the words.[2] Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, "Donau so blau" (Danube so blue), is also used on occasion. The Blue Danube premiered in the United States in its instrumental version on 1 July 1867 in New York, and in Great Britain in its choral version on 21 September 1867 in London at the promenade concerts at Covent Garden.
When Strauss's stepdaughter, Alice von Meyszner-Strauss, asked the composer Johannes Brahms to sign her autograph-fan, he wrote down the first bars of The Blue Danube, but adding "Leider nicht von Johannes Brahms" ("Alas! not by Johannes Brahms").[3]

It is the most famous waltz ever written – actually not one waltz but a chain of five interlinked waltz themes. It is Austria’s second national anthem. It is the inescapable conclusion to each New Year’s Day concert in Vienna. But how many of us have ever heard Strauss’s original version? 
In 1865, Johann Herbeck, choirmaster of the Vienna Men’s Choral Society, commissioned Strauss to write a choral work; due to the composer’s other commitments the piece wasn’t even started. The following year, Austria was defeated by Prussia in the Seven Weeks’ War. Aggravated by post-war economic depression, Viennese morale was at a low and so Strauss was encouraged to revisit his commission and write a joyful waltz song to lift the country’s spirit. 
Strauss recalled a poem by Karl Isidor Beck (1817-79). Each stanza ends with the line: ‘By the Danube, beautiful blue Danube’. It gave him the inspiration and the title for his new work – although the Danube could never be described as blue and, at the time the waltz was written, it did not flow through Vienna. To the waltz, the choral society’s “poet” Josef Weyl added humorous lyrics ridiculing the lost war, the bankrupt city and its politicians: “Wiener seid’s froh! Oho! Wieso?” (“Viennese be happy! Oho! But why?”). 

Read more at http://www.classicfm.com/composers/strauss-ii/guides/story-behind-blue-danube/#mkRws2Bi3tBbYTAy.99

Please click on each of the web-links below with your speakers on :-

Johann Strauss, jr. "An der schönen blauen Donau"


https://youtu.be/IDaJ7rFg66A


15 year old Julie Andrews - The Blue Danube


Blue Danube Dream with English Lyrics


SRI LANKA BY TRAIN

Avoiding dementia by activity.

Avoiding Shark-bites.

Monday, April 20, 2015

La Paloma

"La Paloma" is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed "La Paloma" around 1863, just two years before he died in Spain in obscurity, never to learn how popular his song would become.
"La Paloma" belongs to a genre of songs called "Habaneras," a musical style developed in 19th-century Spain that is still today very much present in the form of folk songs and formal compositions, particularly in the Northern Basque Region and East Coast (Catalonia and Valencia) regions of the country. Like all "Habaneras," its characteristic and distinct rhythm reflects the fusion of the local Cuban songs that the Spanish sailors of the time brought back with them from their travels to the island, with the rhythm structure of the flamenco “tanguillo gaditano” (original from Cádiz, Andalusia). Very quickly "La Paloma" became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years the popularity of "La Paloma" has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.[1] There are more than one thousand versions of this song, and that together with "Yesterday" by the Beatles, is one of the most recorded songs in the history of music.
Please click on each of the web-links below with your speakers on :- 

Victoria de los Angeles, "La Paloma" (de Iradier)

Nana Mouskouri & Julio Iglesias - La Paloma - In live

André Rieu in Mexico. La Paloma.

Sri Lanka Roadtrip 2015 - GoPro

By carrying a small camera with a 'Fish-eye lens' attached to one's body, an amazing record of life around you as a series of photos or videos, could be made. Here is one effort. Please click on the web-link below:-

https://youtu.be/1Xn4Neni-kw

False eyes on butterflies.

London Cabs going green with Chinese help.

Sunday, April 19, 2015

Sentimental journey.


Les Brown and His Band of Renown had been performing the song, but were unable to record it because of the 1942–44 musicians' strike. When the strike ended, the band, with Doris Dayas vocalist, had a hit record with the song,[1] Day's first #1 hit, in 1945. The song's release coincided with the end of WWII in Europe and became the unofficial homecoming theme for many veterans.[1] The recording was released by Columbia Records as catalog number 36769, with the flip side "Twilight Time".[2] The record first reached the Billboard charts on March 29, 1945 and lasted 23 weeks on the chart, peaking at #1.[3] The song actually reached the charts after the later-recorded "My Dreams Are Getting Better All the Time".
About this same time, the Merry Macs had a recording following Brown and Day which featured a bouncy arrangement where the group modulates (or augments) the verse eight times in the last half of the song. A vocal feat for any group attempting to record a song in one take without the benefit of tape editing in that era of modern recording.
The song later became something of a standard with jazz artists and was recorded, among others, by Buck Clayton with Woody Herman and by Ben Sidran. Frank Sinatra recorded his version of the song in 1961. Rosemary Clooney issued an album Sentimental Journey (2001) which included the song.

Doris Day- Sentimental Journey

https://youtu.be/BgRgExUMEis

Doris Day & Les Brown - rare 1985 reunion video of "Sentimental Journey"


The Platters - Sentimental Journey (1963)



Ken Griffin – Sentimental journey

Mike Reed plays "Sentimental Journey" on the Hammond Organ

Lyrics

The song describes someone about to take a train to a place they have a great emotional attachment for. It describes their mounting anticipation and they wonder why they ever roamed away.
Its memorable opening verse is:
Gonna take a sentimental journey
Gonna set my heart at ease
Gonna make a sentimental journey
To renew old memories.[1]


Doris Day – Sentimental Journey Lyrics

Gonna take a sentimental journey
Gonna set my heart at ease
Gonna make a sentimental journey
To renew old memories

Got my bag, got my reservation
Spent each dime I could afford
Like a child in wild anticipation
Long to hear that "All aboard"

Seven, that's the time we leave, at seven
I'll be waitin' up for heaven
Countin' every mile of railroad track
That takes me back

Never thought my heart could be so 'yearny'
Why did I decide to roam?
Gotta take that sentimental journey
Sentimental journey home,

Sentimental journey!
Songwriters: PRIMA, LOUIS/BUTERA, SAM /
Sentimental Journey lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc.

PS
A very popular LP record by Ken Griffin, played in the Medical Students Common room, Kynsey road, Colombo, in the early 1960s.