"La Paloma" is
a popular Spanish song that has been produced and reinterpreted in
diverse cultures, settings, arrangements, and recordings over the last 140
years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed "La
Paloma" around 1863, just two years before he died in Spain in obscurity,
never to learn how popular his song would become.
"La Paloma" belongs
to a genre of songs called "Habaneras," a musical style developed in
19th-century Spain that is still today very much present in the form of folk
songs and formal compositions, particularly in the Northern Basque Region and
East Coast (Catalonia and Valencia) regions of the country. Like all
"Habaneras," its characteristic and distinct rhythm reflects the
fusion of the local Cuban songs that the Spanish sailors of the time brought
back with them from their travels to the island, with the rhythm structure of
the flamenco “tanguillo gaditano” (original from Cádiz, Andalusia). Very
quickly "La Paloma" became popular outside of Spain, particularly in
Mexico, and soon spread around the world. In many places, including
Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk
song. Over the years the popularity of "La Paloma" has
surged and receded periodically, but never subsided. It may be considered one
of the first universal popular hits and has appealed to artists of diverse
musical backgrounds.[1] There are more than one thousand versions
of this song, and that together with "Yesterday" by the Beatles, is
one of the most recorded songs in the history of music.
Please click on each of the web-links below with your speakers on :-
Victoria de los Angeles, "La Paloma" (de
Iradier)
Nana Mouskouri & Julio Iglesias - La Paloma - In
live
André Rieu in Mexico. La Paloma.
